You have to realize two things to luxuriate in this movie.

PG-13 films are typically not for children. Parents seem to assume unprejudiced because its inviting means “hey choose the kids.” Well how about we assume a minute BEFORE we go running to the theatre? Complains about that are fair groundless. The rating says it all, PAY ATTENTION.

The second thing you must realize is that this is an ADAM SANDLER movie, like his earlier films. Billy Madison, Pleased Gilmore, all extreme and crude, collect over it. That was his style and he brought it encourage to accomplish one of the funniest adult sharp movies ever. The jokes here are classic, from whiteys seizures to him doing the robot in the middle of a basketball game. His sister eleanor has the cutest assert which I’ve been imitating ever since I saw the movie. The townsfolk are a roar, with capture schneider as an asian waiter. and jon lovitz as a man with a hook for a hand. This is a very unconventional Hannukah movie for the holidays. Obvious it’s noxious, but if your offended than go rent the Ya Ya Sisterhood or some crap like that.This one is for the guys, not for parents or children. Next time read the rating before you complain. Don’t own all the crap, this movie was HILARIOUS. If you like Kevin Smith movies or Adam sandler movies than view this and bust a gut laughing. (hopefully not literally)

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I really enjoyed this movie. Unlike The Wedding Singer, the humor was a bit more locker room gross-out, but like the Wedding Singer, it was filled with sentiment and heart. An indignant Scrooge-like Jewish man learns to grieve, let go, and savor the holidays again. No, it’s not for limited kids. That’s why it’s rated PG-13. Sandler shows tall talent and versatility as the voices of Davy, Eleanor and Whitey, the latter two being annoying elderly fraternal twins whom Davy grows to appreciate despite their freakishness. Grasp Schneider, Jon Lovitz, Kevin Nieland add their talent, as well as cameos by Tyra Banks and rock singer Ann Wilson as Davy’s mom. Alison Krauss lends her sweetness as the singing command of Jennifer, Davy’s childhood esteem, now a single mom. The music is the most outstanding fragment of this film. The lyrics are droll and goofy, but also clever, and the song structures are dynamic and hooky, and will halt with you afterward. If you go into this movie realizing it’s not a white-washed Disney flick for the kids, but it’s a silly, sometimes wicked, but sensitive Christmas anecdote that tackles somewhat-adult issues, like why some people loathe the holidays, I mediate you’ll luxuriate in it almost as considerable as I did. It’s also loaded with special features that are worthwhile, too.
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