Director Betty Thomas has achieved something rare: A new movie that tackles a serious allege and emerges with it’s tastefulness intact. “28 Days” has the location of a drama, the soul of a comedy, the feel of a documentary and a astonishing performance by Sandra Bullock that gives each genre a dwelling in the shapely mix of this fabulous movie.

Bullock is Gwen Cummings, an alcoholic, pill popping journalist who is sentenced to exercise 28 days in a rehab center she drunkenly steals a limo and crashes it into a house. Leaving tedious her boozy British boyfriend Jasper (superbly played by Domonic West), Gwen soon finds the help and opinion of her eccentric and often hilarious unique neighbors. There’s Eddie (Viggo Mortensen), the washed up baseball player who’ll sleep with anyone; Oliver (Mike O’Malley), the wisecracking Park Avenue pot addict; Andrea (Azura Skye), a young woman addicted to drugs and a preposterous soap opera called “Santa Cruz,” which she eventually turns everyone on to; and Gerhardt (Alan Tudyk), the wacky German. “28 Days,” unlike an “Erin Brokovich” where one star dominates, is an ensemble film that allows a variety of talents to shine. And with a cast of this caliber, sometimes that shine rivals the stars themselves in brightness.

Despite many comical moments, it’s the dramatic aspects of “28 Days” that beget it mountainous. When Gwen becomes so desperate for her pills that she jumps out the window to catch some she threw away earlier, the obsessiveness and despair of dependency are captured at their most quick-witted. Then there’s her scared relationship with her sister Lily (sensitively portrayed by Elizabeth Perkins), who can’t determine whether she wants to give up on the woman who has never been there for her, or stand by her in the hope that she will reform, risking having her heart broken yet again.

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It’s because Bullock and screenwriter Susannah Grant have made Gwen such a likable character that these situations have sincere bite. Sine we can’t choose whether we esteem her or detest her, we support watching the movie on the edge of our seats, searching for something that will proove to us once and for all what Gwen Cummings is. The movie wisely avoids giving us a straight retort to that and many other questions, allowing the viewer instead to obtain their gain decisions and effect their believe relationaships with the characters and the things they encounter.

“28 Days” is a triumph for all alive to. There’s nothing better for a cynical critic like me then proof on the cloak that films consuming stories with though-provoking characters are mild being made. Perhaps the best news of all is the resurrection of Sandra Bullock’s career after three flops in a row. If she continues to exhibit such wise judgement in choosing her projects, this unpleasant man’s Julia Roberts may be topping the A-list once again.

Sandra Bullock is the industry’s common girl next door, remarkable to her have well-reported chagrin. But there is impartial something about her that exudes “next-door” charm, whether or not she supports the label’s overuse. Maybe it’s because she’s such a gem of a person, especially compared to the coldness of many of today’s gargantuan stars.

So when you are about to seek this film you will anticipate that it be light-hearted, not serious, in other-words, totally Sandra. But the only thing light-hearted about the movie are the circumstances several of the supporting cast members accept themselves into. Sandra plays this alcoholic with all of the angst she’s got. And it’s a heck of a lot more than anyone would have pegged her for.

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So is she depressing to recognize like this? Yes and no. Depressing because, based on those noxious preconceptions us sluggish viewers have, you’re waiting for her to jump out and say “Objective kidding!” throughout the movie – her usual style – and, to everyone’s surprise, she really doesn’t. She gives every ounce of credibility and intensity to a role that many would like to write off simply b/c it is too hard to change one’s preconceptions.

I am so inflamed when I stumble upon a performance, such as this one, that allows me to deepen my respect for an actor. Sandra has deepened everyone’s respect with this role. She is a consummate professional actress: She plays every role as if it were herself and only herself on the conceal.

And hey, even if it IS only acting, she fooled me . . .
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